Pregnancy Birth Anime

Audes 146 with oak trim option



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Audes 146 186 5 blues excellence



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What Abbreviation Sgcc Sheet

Audes The blues is the info center pc this Ohota

<img src="http://img337.imageshack.us/img337/4848/filepb.jpg"On the left you serve midrange speaker and the tweeter ,the woofer is under not visibile .
On the right the excellence 5 audes model.The woofer pc these are into lateral pc the box. IN THE EXCELLENCE 5 the box is closed.

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Windows Blind Cant Uninstall

Audes blues and I study line by at Rome HiEnd fair



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Alpine Cda-9885 Diagrams

Incredible Audes high quality price level.



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Mettalic Bag, How To Wear, Blog

best products Audes

there are some true hifi products in the market that overcame in quality price all the others by far. And for this time this is true also if incredible .

Audes 146 a true optimized with specialized midrange loudspeaker,this fact rare at this level price. And also rare is the quality of the used woofer,at the best level pc the market without cost limit.
The costa is in Italy street price only 1600 eu for pair .
Into the photo you see it on the first on left.

Blood At Back Of Throat In Morning

Before I left xD

because I only update 6 months without update xD

day before yesterday was Stone Temple Pilots and was the best!
They played all the ones I liked and that to me is enough. It was great to see the mass of people in court, and how funny it was when they played a new song and did not move
xD I jumped all: 3 had a great time and hopefully come back ... We recorded and took pictures ( L)

if you have not heard or know anything I recommend STP "Plush" "Interstate Love Song" or "Crackerman", and for reasons that I HAVE AN EXAM TOMORROW Q2, they are not posting direct links but look xD. .. look!

Sd Sony Conversion Memory

roma HiEnd only fair for hifi

Audes blues and studio with xindak amplifier .
Audes. Blues best quality price by estonia .

Arabic Numbers 81 And 18 In Palm Of Hands

just saying I know but of course lost, and 'a bit' that I think about: no longer 'true speaker hi

 

 

la risposta in frequenza
Da Wikipedia, l'enciclopedia libera.
La risposta in frequenza è un potente strumento per
caratterizzare il comportamento di un sistema
(mechanical, electrical, optical, etc..) Linear
subjected to stresses varying in time.
The basic concept is to establish what is the
relationship between input and output of the system, when the
applied stress and the response (output) are
variables over time. Since any input signal
journal can be decomposed into a series of sine waves of different frequencies
, if you know all the answers
at different frequencies in amplitude and phase,
is possible to reconstruct the output signal without
perform specific calculations for each of the countless types of waveforms
input.
------------------
Add simplifying ..
In other words .. the musical signal and '
infinitely variable, but as you do with the digital conversion
is reconstructed by combining many different
sinusoids of varying amplitude and frequency. So this key feature in

various frequencies, from 20 to 20,000 Hz. Must be treated with absolutely
homogeneity '

--------------- ----------------------------------

In 12 pages found graphs
Chario , bose, klipsch, triangle, b & w, usher, Audes, energy, wilson, jbl, athena, mirage, thiel, dynaudio, jmlabs, polk, psb, revel, pmc, kef, mordaunt short, sonus faber, wilson , energy, monitor audio, indiana, arrow, burmester, psb, snell, avantgarde, proac, focal, magneplanar, grundig, allison, seas, spendor , jamo, avalon,willson, vienna,

 

http://soundberry.forumcommunity.net/?t=10503258&st=165#lastpost

--------------------------------

 

example:

 

by soundstage:
On-axis frequency response - Measured directly in front of the speaker face (2 or 3 meters).
Purpose: Shows the forward-firing output of the loudspeaker across the audible frequency spectrum.
What it tells you: In comparison to the 15 degree and 30 degree measurements we do, this measurement should be the flattest ( la linearita' su cui insisto) and have the widest bandwidth . Bandwidth refers to the upper (highs) and lower (bass) frequencies that the loudspeaker under test will reproduce. Most good speakers today will extend easily to 20kHz and beyond, although bass performance will vary widely. Full-range is considered 20Hz to 20kHz, but only the largest loudspeakers can approach 20Hz and even some very large speakers will not be "flat" at 20Hz. Many subwoofers cannot reproduce 20Hz at the same sound pressure level as they reproduce 50Hz. One should recognize that since these measurements are performed in anechoic chamber, they will generally show less bass than what you can expect in a real room (vedi studi di Allison:incrementi in casa nei bassi daa 6 a 9 db).

Although all frequency response measurements will have some bumps, in general, good speakers will have a smooth and even response within its bandwidth without many severe dips or bumps . Dips indicated less output at that frequency while bumps indicate more. The audible result of the dips and bumps in the response curve will depend on the frequencies where they occur. A bump May in the upper bass make the speaker sound boomy . A dip in the midrange can make the speaker sound recessed
A bump in the upper bass May make the speaker sound boomy: this refers to the exaltation to 100hz. Unfortunately
then in the tests then you do not put out a sufficiency because this is serious, but it flies ..

end image.

Under a wrong image, not enough linear:

terrible by 30 to 500 Hz ... But this is true today in standard NO HIFI

Seven Bumps On Back Of Tounge

just saying I know but of course lost, and' a bit 'I think about it: no longer' speaker hi

& # 160;

frequency response
From Wikipedia, the free encyclopedia.
The frequency response is a powerful tool to characterize the behavior of a

system (mechanical, electrical, optical, etc..) Linear
subjected to stresses varying in time.
The basic concept is to establish what is the
relationship between input and output of the system, when the
applied stress and the response (output) are
variables over time. Since any input signal
journal can be decomposed into a series of sine waves of different frequencies
, if you know all the answers to
various frequencies in amplitude and phase,
is possible to reconstruct the output signal
without having to make specific calculations for each of the endless types
waveform input.
------------------
Add simplifying ..
In other words .. the musical signal and '
infinitely variable, but as you do with the digital conversion
is reconstructed by combining many different
sinusoids of varying amplitude and frequency. So this key feature in

various frequencies, from 20 to 20,000 Hz. Must be treated with absolutely
homogeneity '

--------------- ----------------------------------

In 12 pages found graphs
Chari, bose, klipsch, triangle, b & w, usher, Audes, energy, wilson, JBL, Athena, Mirage, Thiel, Dynaudio, jmlabs, polk, psb , revel, pmc, KEF, Mordaunt Short, Sonus Faber, Wilson, energy, audio monitor, Indian arrow, Burmester, psb, snell, avantgarde, ProAc, focal, Magneplanar, grundig, allison, seas, Spendor, jamo, avalon, willson, vienna,

http://soundberry.forumcommunity.net/?t=10503258&st=165 # lastpost

-------------- ------------------

example:

 

by soundstage:
On-axis frequency response - Measured directly in front of the speaker face (2 or 3 meters).
Purpose: Shows the forward-firing output of the loudspeaker across the audible frequency spectrum.
What it tells you: In comparison to the 15 degree and 30 degree measurements we do, this measurement should be the flattest ( la linearita' su cui insisto) and have the widest bandwidth . Bandwidth refers to the upper (highs) and lower (bass) frequencies that the loudspeaker under test will reproduce. Most good speakers today will extend easily to 20kHz and beyond, although bass performance will vary widely. Full-range is considered 20Hz to 20kHz, but only the largest loudspeakers can approach 20Hz and even some very large speakers will not be "flat" at 20Hz. Many subwoofers cannot reproduce 20Hz at the same sound pressure level as they reproduce 50Hz. One should recognize that since these measurements are performed in anechoic chamber, they will generally show less bass than what you can expect in a real room (vedi studi di Allison:incrementi in casa nei bassi daa 6 a 9 db).

Although all frequency response measurements will have some bumps, in general, good speakers will have a smooth and even response within its bandwidth without many severe dips or bumps . Dips indicated That output at less frequency while more bumps indicated. The audible result of the dips and bumps in the response curve will depend on the frequencies WHERE They occur. A bump in the upper bass May make the speaker sound boomy . A dip in the midrange can make the speaker sound recessed
A bump in the upper bass May make the speaker sound boomy: this refers to the exaltation to 100hz. Unfortunately
then in the tests then you do not put out a sufficiency because this is serious, but it flies ..

end image.

Under a wrong image, not enough linear:

terrible by 30 to 500 Hz ... But this is true today in standard NO HIFI

Wedding Dresses Lisburn Road

shocked, shocked!

You may ask: why, why?

Electric Motor Design Labeled

are alive! New fanfic tururu

miners are alive ..! *-*!
not write of it as I did in my blog, so that: D but I'm very happy ^ ^!

Last Thursday we took blood and we took blood ... it was fun xD I'm really stressed
... I hate the stuff that we're seeing in annatto (face, head), I load fahe fome now because it's more than before but I like biochemistry because I understand the matter although iwal me .... Paha and that poh, there are my classes

xDDD ~ But I'm tired and nervous as well .. happy because the Anoy terms is a test comes back anyway ... xD

AH YES!


STONE TEMPLE PILOTS COMING !!!!!!!!!!!!!!! Q2

\u0026lt;3

Free Off Road Go Kart Plans

Ya. I had wanted to write here xD no idea how long I have no v enire here!
ended my week of vacation and Manaan entered the U.S. but will not go because I had surgery (R)
about that, I'll write in my blog (?) But I hurt too much XD
bone, also not it nice that nurses come every two minutes to look you in the groin ú.uUU that traumatized me. and also had a good time with doctors and I wish I could remember the mnemonic of cranial nerves in the end .. xD ú.u
femoral mni pricked me, and now my leg three spots as if a vampire with three teeth had bitten me. Oh, and I have a hamburger in the heart.
I have to test and not study FCM almost nothing on my vacation. But I'm optimsta, pq just need a fucking 40 pa happen ... and not to give consideration this semester to be happy xDD
It is the history of medicine \u0026lt;3 and nursing skills in databases, I have morning and free afternoon \u0026lt;3 ... is coming neuro D:
in short, many things ..

as the clock is ticking and I leave my leg hurts unaa song.
tone is my cell \u0026lt;3, that when the doc rang me to the echo and reconocióooooooooooooooooooo! *-* Yu was like asdasdasddsad
.

Malfunction Indicator Light - Vios On

CAYIN hpd2 true universal player

[IMG] http://www.faseaudio.com/e107_images/custom/_MG_2234.JPG [/ IMG]

[IMG] http://www.faseaudio.com/e107_images/custom/HDP2.jpg [/ IMG]

Superb video / audio quality.
CPU:
SMP8635 supports all popular video formats HD HDMI 1.3 supports Windows
Vector font
supports HD movie subtitles
LAN 10/100 (RJ45)
Decoding 1080P Full HD
USB 2.0 port for connecting external devices
USB WIFI 802.11a
H.264 video decoding, VCI, WMV, MPEG1/2/4, DivX HD. Audio Decoding
MP2/MP3/AAC/AC3/WMA/OGG/WAV
I bear for direct download movies from BitTorrent, Emule, FTP and HTTP
support for web browsing, online TV and web radio
Video Out NTSC / PAL composite and S-Video, YPbPr and HDMI V1.3 with audio.
analog output 5.1 audio, SPDIF optical and coaxial digital output Front panel headphone


Remote Housing for Hard Disk SATA back panel.
extruded aluminum chassis thick
Hard disk except
price: 490 € VAT included.

http://soundberry.forumcommunity.net/

3rd Day Cipralex Diarrhea

loudspeakers in closed boxes and room Aspects

http://history.sandiego.edu/GEN/recording/villchur.html

I diffusori a sospensione pneumatica.

la storia

The hi-fi market was starting to expand in the early 1950s, with new sensitive pickups and amplifiers capable of reproducing the full dynamic range of the new LP record. But speaker designers were still struggling with the problem of extended, low-distortion bass. Villchur decided to try a radical new approach: "Instead of making one
Edgar Villchur in lab ca. 1965

more attempt to unravel the Gordian knot, I cut it. I used a different kind of elastic restoring force, one derived from an air spring,
Edgar Villchur lab in ca. 1965

INSTEAD of the mechanical springs of the suspensions.Thus, the acoustic suspension loudspeaker is an Obvious and simple system. You are Merely substituting an Essentially linear air spring for a set of nonlinear mechanical springs. "(Birchall 1993)

and the 'new excellence5' Audes

Allsison The speakers were the first to consider the placement in the home and their effects on low. Today

incredibly not take them into more 'account, but here are the phrases "depends on how you will play home'" "Keep them away from the walls" "acoustic devices used tube traps (in thousands of hits di eu) per migliorare il suono"

Ne tengono conto le Audes blues ed excellence 5.

Dominique Simone Free Streaming

True or not hi fi.

for important details

http://soundberry.forumcommunity.net/

True hi fi unicities:.
Strong musical approach made with:
-linear response in the true hifi range of frequence between 30-20khz:
not over more or less 3 db in anecoic environment.
- use of true 3 way system design
- use of mid range d”appolito architecture.
True 3 way architecture means:
- use specialized mid component:no mid woofer for mid frequences.
-use large true woofer component for low frequences: no multi midwoofers.
-To assure the best respect of the linear response frequence, without
anomal alterations over the requested and tollerated more or less 2/3
db of maximum level into the linear response graphic.
-For better quality Audes uses also in some models the d”appolito
architecture made with mid specialized components : no use of mid
woofers.
EX.No any do it today in the class range of price of Audes 145/155 models
using a true 3 way architecture.
No any do it in the class rangeof price of blues and excelleçe 5 models using
the d”appolito array made of specialized mid components [that means no
mid woofers].
These architectures give Audes no equal response at low frequences better
that any wrong solution using multiple mid woofers: Audes uses true woofer for
low frequences and specialized mid components only for the important mid frequences
.
Audes solution avoid equals multiple components,like mid woofers, to
assure linear respons in your rooms: Audes avoids anomal emphasy around
the 80-150 hz frequences, often used today in many competitors offers.
In this way Audes assures the best quality price for your music at your
home that any other proposal in the same range of price with Audes 145
,BLUES‚ EXCELLEÇE 5.

Il nostro ear easily distinguishes pressure levels of a db.Ecco 'cause the best do not always comply with the state but more or less two db.3 db represent twice the power of difference.

It 's a huge difference.!

It' not something you can 'ignore when it comes to hifi. Ignnorarla and 'pure disinformation and pure commercial advertising'.
magazines just to advertise all products as convenient but clearly improper and not reproduce graphics hifi them giustficano thus showing their uselessness ', one of their ads'.
Their articles are useful not only in terms of advertising and to choose a product with the other, or only in terms of aesthetics.

IN BRIEF:

because my system does not satisfy me, so at 90%.

The reasons most often reported:
Speakers cinema.
readers, sources or poor.
imbalance in the distribution of expenditure on the various components.

We start from the bottom, often shopkeepers nourish the customer with small economies and poor speakers, are unnecessarily spend twice as much on an amplifier and speakers just because of the important players are turning to the hexose products of brands outside of time and competition.

Today we are lucky with readers as the Museum 2 posto.Poi we are switching to PC with external dac.

Amplification SIDEV always be considered only after the speaker.

And here comes the sore.
\u0026lt;b>
99% of speakers are not music. \u0026lt;/ B>

The biggest mistakes made in order to sell more and create a market of dissatisfied: to justify much more expensive models than 10000 eu giving them only the linearity of frequency response in order to talk about real hifi.

\u0026lt;b> blunders for a proposed real hifi: \u0026lt;/ b> MULTI

MID WOOFER WOOFER IN LIEU OF REAL [one]. Lack of a

speaker for medium frequencies. [Instead of which uses up almost always more economical to midwoofer]
off the front face of the speaker, which makes sense only under the 2000 European speakers for cost reasons.

little attention to the desired linear response of the speaker, very serious thing when it comes to hifi, was in fact the basic rules of respect for 20-20khz plus or minus two db oscillation allowed.

Yet many magazines publish correct and graphics as well realized sterephile.com.

bad that are not interpreted in view to real hifi.

Linearity 'infrequency of response time deemed necessary by the players and amplifiers +-1dB,, is the total lack of interest in very expensive speakers from over 10,000 eu.

see the collection of this link:
[URL =? T = 10503258] http://soundberry.forumcommunity.net/?t=10503258 [/ URL]

dramatic situation: there are few speakers and independently linear price.
With very rare exceptions, only a few top line speakers allow for this. Yet
and 'that any change in the mathematical linearity' is measured to listen.

Not to mention the total neglect of studies on the behavior of Allison in 1970 in home environments, only a pair of speakers today take it into account. Examples

Senza Allison studies ma corretta:
[IMG] http://www.soundberry.com/images/curva%20corretta%20large%20speak.jpg[/IMG]
TOTALMENTE NON HIFI:

[IMG] http://www.soundberry.com/images/cxurva%20errata%20large%20speak.jpg[/IMG]

Gli studi di Allison.:

Now if the woofer is fairly close to one room surface and distant from others, in most home listening systems, power output in the range between 100 and 300Hz will drop about 1dB below what it would be without the nearby reflecting surface. At very low frequencies, there would be a 3dB increase in power output. That means, given maximum increase and maximum decrease, there’s a total variation of 4dB. With the woofer equidistant from two intersecting surfaces, the dip is 3dB; factor in the maximum rise, in this case 6dB, and you have a 9dB variation. If it’s equidistant from three surfaces that intersect at right angles, the dip would be a devastating 11dB and the maximum rise 9dB—a 20dB change over the bottom octaves. If the woofer is not on the line of symmetry, which is to say the same distance from all three surfaces, the dip is less severe but can still be significant. In home listening situations, I’ve found this reflected impedance typically causes variations from 5 to 12dB.<b> If a tuner or receiver exhibited variations like this, it would be rejected out of hand.</b> So

When you read:

"I agree, but if in your environment to Lilliputian dimensions we insert a large speaker litraggio happens what happened to me ....

Netherlands overflowing, without control, not mixed with other frequencies at all ... "

NOT 'TRUE

HAPPENS IF I AM NOT ALONE SPEAKERS LINEAR! In

speakers emphasizing to 100 EVEN IF hz.QUINDI to support.

Ex: A SMALL SPEAKER WITH THIS CHART IS THE SAME FAULT: off-axis vertical broadly irregular with extremely negative peak of +8 dB at 100 Hz, rather than 'the max 0db or better (Allison) -3 or-6dB. That 's the typical non-hi fi today., Then hang over the price.

[IMG] http://www.soundstagenetwork.com/measurements/speakers/bw_cm1/frequency_456075.gif [/ IMG]

addition to linearity 'axis frequency response of the speaker, there must be a large and correct horizontal and vertical dispersion of sound. Most

'recent use of Stereophile graph in fact complement (mediating) responses on board and off-axis.

off-axis negative, non-regular:
[IMG] [/ IMG]

Es axis of good behavior in a speaker from 1500 eu.

[IMG] http://www.soundberry.com/files/audes145grafico.jpg [/ IMG]

\u0026lt;b>
Then hang over money: \u0026lt;/ b>
Adjust the 2000 European mediated by Stereophile:

[ IMG] http://www.stereophile.com/images/archivesart/AUDFIG4.jpg

Adjust from 50000 eu chart mediated in various directions by Stereophile:
[IMG] [/ IMG]

Adjust with use of D'Appolito on average: only archtettura design that ensures smooth dispersion of sound even over vertical and horizontal. Irregular

from 35000 eu

[/ IMG]

Idem by Stereophile.

If the speaker is not linear and have good dispersion, horizontal and vertical, the various frequencies that make up the sound of an instrument (placed in "that" developed by engineer ...), not having the same energy, will be perceived in sound different points of the horizon "destroying" the image of the instrument (I know, the fundamental of a flute on one side and the breath of the performer on the other).

is essential for proper use in the home environment, there should be exalted to 100 HZ! Look at the graphs
\u0026lt;b>
Stereophile: 99% of the speakers are not hi-fi. \u0026lt;/ B>

and will work with rumble in your environment for ABUSE AND DIMODA disco exaltation to 100 HZ: bass is not true, not extended to low frequencies, but only enhanced fourfold (+6 db) the appropriate volume of their reproduction.

When it comes to + or - 6 dB at 100 Hz, it refers to changes in the graph indi cate co
volume of reproduced sound in decibels (db) compared to the frequencies 500-1000Hz

Structure Of Mandarin Adjectives

psico_rak @ 2010-01-29T16: 54:00

My first video with pictures and effects (?)
Here xD ^ ^: http://www.youtube.com/watch?v=ZeWoethRO7w